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1 Barbara Lewis
Names and surnames: BL -
2 Barbara Lewis
ברברה לואיס (נולדה ב-1943), זמרת פופ ומוזיקת-נשמה אמריקאית* * *◙ תיאקירמא המשנ-תקיזומו פופ תרמז,(3491-ב הדלונ) סיאול הרברב◄ -
3 Lewis, Joseph H.
1907-2000Este magnifico realizador, nacido en Nueva York, empieza en el departamento de montaje de la Mas cot en 1935, de donde pasa a la Universal siempre en el mismo cometido, para terminar dirigiendo su primer largometraje dos anos despues. Ya en la primera etapa de su carrera como director muestra cualidades importantes como creador de universos visuales, logrando algun magnifico filme como The Invisible Ghost (1940), convencional muestra de ci ne de terror con Bela Lugosi como protagonista, que el talento de Lewis transforma en un filme me morable por muchos conceptos. Boss of Hang town Mesa, por su parte, es mucho mas que una pelicula de serie, rodada a la mayor gloria de Johnny Mack Brown. Aunque en esta primera etapa abundan tambien las obras poco distinguidas, el segundo periodo de la trayectoria profesional de Lewis, que podemos situar cronologicamente entre 1945 y 1958, abunda en obras maestras o que se acercan a esa calificacion. Empezamos con la magnifica My Name Is Julia Ross, para seguir con las esplendidas Relato criminal (The Undercover Man, 1949), El demonio de las armas (Gun Crazy, 1950) y Agente especial (The Big Combo, 1955), por citar solo algunas, ejemplos se neros de cine negro. Los westerns de esta segunda etapa son, todos ellos, de primer nivel, especialmente A Lawless Street y Terror in a Texas Town, filme modelico con el que Lewis cierra una estimulante filmografia. Despues de veinte anos de carrera y 38 largometrajes, Lewis abandona su carrera y trabaja en television durante anos, hasta su retirada definitiva en 1965.Courage of the West (Luchadores del Oeste). 1937. 57 minutos. Blanco y Negro. Universal. Bob Baker, Lois January, Fuzzy Knight.The Singing Outlaw. 1938. 56 minutos. Blanco y Negro. Universal. Bob Baker, Joan Barclay, Fuzzy Knight.Border Wolves. 1938. 57 minutos. Blanco y Negro. Universal. Bob Baker, Constance Moore, Fuzzy Knight.The Last Stand. 1938. 56 minutos. Blanco y Negro. Universal. Bob Baker, Constance Moore, Fuzzy Knight.Two-Fisted Rangers. 1940. 62 minutos. Blanco y Negro. Columbia. Charles Starrett, Iris Meredith, Bob Nolan.Blazing Six Shooters. 1940. 61 minutos. Blanco y Negro. Columbia. Charles Starrett, Iris Meredith, Bob Nolan.The Man from Tumbleweeds. 1940. 59 minutos. Blanco y Negro. Columbia. Bill Elliott, Iris Meredith, Dub Taylor.Texas Stagecoach. 1940. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Iris Meredith, Bob Nolan.The Return of Wild Hill. 1940. 60 minutos. Blanco y Negro. Columbia. Bill Elliott, Iris Meredith, Dub Taylor.Arizona Cyclone. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.The Silver Bullet. 1942. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Fuzzy Knight.Boss of Hangtown Mesa. 1942. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Helen Deverall, Fuzzy Knight.A Lawless Street. 1955. 78 minutos. Blanco y Negro. CinemaScope. Scott- Brown (Columbia). Randolph Scott, Angela Lansbury, Warner Anderson.7th Cavalry. 1956. 75 minutos. Technicolor. Scott-Brown (Columbia). Randolph Scott, Barbara Hale, Jay C. Flippen.The Halliday Brand. 1957. 77 minutos. Blanco y Negro. Collier Young Associates (UA). Joseph Cotten, Viveca Lindfords, Betsy Blair, Ward Bond.Terror in a Texas Town. 1958. 80 minutos. Blanco y Negro. Seltzer Films (UA). Sterling Hayden, Sebastian Cabot, Carol Kelly.English-Spanish dictionary of western films > Lewis, Joseph H.
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4 Collins, Lewis D.
1899-1954Entre 1927 y 1954, ano de su prematura muerte debida a un ataque cardiaco, realiza un total aproximado de 120 peliculas, de las que unas veinte son cortometrajes. Se dedica, especialmente, al western, sobre todo para Universal y Monogram. Es un director modesto, sin estilo visible que, como tantos otros, trabaja para las sucesivas estrellas de la epoca.Guns for Hire. 1932. 58 minutos. Blanco y Negro. Willis Kent. Lane Chandler, Sally Darling.Via Pony Express. 1933. 60 minutos. Blanco y Negro. Majestic. Jack Hoxie, Marceline Day.Gun Law. 1933. 59 min. Blanco y Negro. Majestic. Jack Hoxie, Paula Fix.Trouble Busters. 1933. 55 minutos. Blanco y Negro. Majestic. Jack Hoxie, Lane Chandler, Kaye Edwards.The Man from Hell. 1934. 58 minutos. Blanco y Negro. Willis Kent. Reb Russell, Fred Kohler, Ann Darcy.Brand of Hate. 1934. 63 minutos. Blanco y Negro. Supreme. Bob Steele, William Farnum, Lucille Browne.The Desert Trail. 1935. 54 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Mary Kornman.Little Joe, the Wrangler. 1942. 64 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Tenting Tonight on the Old Camp Ground. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Raiders of San Joaquin. 1943. 60 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Oklahoma Raiders. 1944. 57 minutos. Blanco y Negro. Universal. Tex Ritter, Fuzzy Knight, Jennifer Holt.Trigger Trail. 1944. 59 minutos. Blanco y Negro. Universal. Rod Cameron, Eddie Dew, Fuzzy Knight, Vivian Austin.Raiders of Ghost City (co-d.: Ray Taylor). 1944. 225 minutos. 13 capitulos. Blanco y Negro. Universal. Dennis Moore, Wanda McKay, Lionel Atwill.The Old Texas Trail. 1944. 60 minutos. Blanco y Negro. Universal. Rod Cameron, Fuzzy Knight, Marjorie Clements.The Royal Mounted Rides Again (co-d.: Ray Taylor). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.The Scarlet Horseman (co-d.: Ray Taylor). 1946. 248 minutos. 13 capitulos. Blanco y Negro. Universal. Peter Cookson, Janet Shaw.Ride, Ryder, Ride! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Emmett Lynn.Roll, Thunder, Roll! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, I. Stanford Jolley, Don Kay Reynolds, Nancy Gates.The Fighting Redhead. 1949. 55 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Don Kay Reynolds.Cowboy and the Prizefighter. 1949. 59 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Emmett Lynn, Don Kay Reynolds, Karen Randle.Law of the Panhandle. 1950. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Jane Adams, Milburn Morante.Cherokee Uprising. 1950. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Lois Hall.Colorado Ambush. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Myron Healey.Abilene Trail. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Noel Neill.Man from Sonora. 1951. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, House Peters, Jr.Canyon Raiders. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Nevada Badmen. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Stagecoach Driver. 1951. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Gloria Winters.Oklahoma Justice. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Jimmy Ellison.Lawless Cowboys. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Pamela Duncan.The Longhorn. 1951. 70 minutos. Blanco y Negro. Monogram. Bill Elliot, Phyllis Coates, Myron Healey.Texas Lawmen. 1951. 54 minutos. Blanco y Negro. Frontier Pictures - /Monogram. Johnny Mack Brown, Jimmy Ellison, Lee Roberts.Stage to Blue River. 1951. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Texas City (Misterio en Texas). 1952. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Jimmy Ellison.Waco. 1952. 68 minutos. Blanco y Negro. Monogram. Bill Elliott, Pamela Blake, I. Stanford Jolley.The Gunman. 1952. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Wild Stallion. 1952. 70 minutos. Cinecolor. Monogram. Ben Johnson, Edgar Buchanan, Martha Hyer.Kansas Territory. 1952. 65 minutos. Blanco y Negro. Monogram. Bill Elliott, Peggy Stewart, Fuzzy Knight.Dead Man’s Trail. 1952. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Barbara Allen, Jimmy Ellison.Montana Incident. 1952. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Peggy Stewart, Noel Neill.Fargo (Los atracadores de Fargo). 1952. 69 minutos. Blanco y Negro. Monogram. Bill Elliott, Phyllis Coates, Fuzzy Knight.Canyon Ambush. 1952. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Lee Roberts.The Homesteaders. 1953. 62 minutos. Blanco y Negro. Allied. Bill Elliott, Emmett Lynn, Robert Lowery.The Marksman. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elena Verdugo, Frank Ferguson.Vigilante Terror. 1953. 70 minutos. Blanco y Negro. Allied. Bill Elliott, Fuzzy Knight, Mary Ellen Kay.Texas Bad Man. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elaine Riley, Frank Ferguson.Two Guns and a Badge (Dos pistolas y una insignia). 1954. 60 minutos. Blanco y Negro. Allied. Wayne Morris, Beverly Garland, Morris Ankrum.English-Spanish dictionary of western films > Collins, Lewis D.
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5 BL
1) Компьютерная техника: Background Loading, Block Length2) Морской термин: ОП (Основная плоскость: Baseline)3) Военный термин: BCXXI Lightweight Computer Unit, Base Level, Basic Load, Blast Link, band-limited, baseline, battery leader, biological laboratory, blind-loaded, bomb line, bombload, breech-loading, bridgelayer4) Техника: Bloch line, back lobe, batch loading, blue lamp5) Сельское хозяйство: Brown Leghorn6) Юридический термин: Big Lunatic7) Бухгалтерия: Bottom Line9) Сокращение: Bachelor of Law, Bachelor of Letters, Bachelor of Literature, Base Line, Bolivia (NATO country code), British Legion, British Leyland, British Library, backlash, bend line, bill of lading, blade, bleed, blue, but-live, butt line, buttock line, с задней подсветкой (backlit)10) Физиология: Bilateral lower lung fields, Blood Loss, Broken Leg11) Электроника: Battery Low12) Вычислительная техника: Blue Lightning (processor family, Intel), belly laughing13) Нефть: barrels of load, bent legs, black14) Транспорт: Battle Level, Belt Line, Bicycle Lane15) Пищевая промышленность: Blue Lightning16) Фирменный знак: Baby Land, Bishop And Lam, Bliley17) Энергетика: bottom level (for pits)18) СМИ: Boy's Life, Boys Life19) Деловая лексика: Business Level, коносамент (bill of lading)20) Бурение: баррелей жидкости (barrels of load; закачиваемой в скважину при гидроразрыве)21) Глоссарий компании Сахалин Энерджи: граница установки (battery limit)22) Сетевые технологии: Brokering Layer23) Программирование: Basic Logic24) Сахалин Р: battery limit25) Океанография: Boundary Layer26) Макаров: building line28) Электротехника: bottom layer29) Имена и фамилии: Barbara Lewis, Bill Lawrence, Bill Lumsden30) Общественная организация: Bible League31) Должность: British Literature32) Чат: Big And Lovable33) Федеральное бюро расследований: Bank Larceny34) AMEX. Blair Corporation35) Международная торговля: Basel Land36) Зубная имплантология: уровень кости, уровень костного гребня -
6 bl
1) Компьютерная техника: Background Loading, Block Length2) Морской термин: ОП (Основная плоскость: Baseline)3) Военный термин: BCXXI Lightweight Computer Unit, Base Level, Basic Load, Blast Link, band-limited, baseline, battery leader, biological laboratory, blind-loaded, bomb line, bombload, breech-loading, bridgelayer4) Техника: Bloch line, back lobe, batch loading, blue lamp5) Сельское хозяйство: Brown Leghorn6) Юридический термин: Big Lunatic7) Бухгалтерия: Bottom Line9) Сокращение: Bachelor of Law, Bachelor of Letters, Bachelor of Literature, Base Line, Bolivia (NATO country code), British Legion, British Leyland, British Library, backlash, bend line, bill of lading, blade, bleed, blue, but-live, butt line, buttock line, с задней подсветкой (backlit)10) Физиология: Bilateral lower lung fields, Blood Loss, Broken Leg11) Электроника: Battery Low12) Вычислительная техника: Blue Lightning (processor family, Intel), belly laughing13) Нефть: barrels of load, bent legs, black14) Транспорт: Battle Level, Belt Line, Bicycle Lane15) Пищевая промышленность: Blue Lightning16) Фирменный знак: Baby Land, Bishop And Lam, Bliley17) Энергетика: bottom level (for pits)18) СМИ: Boy's Life, Boys Life19) Деловая лексика: Business Level, коносамент (bill of lading)20) Бурение: баррелей жидкости (barrels of load; закачиваемой в скважину при гидроразрыве)21) Глоссарий компании Сахалин Энерджи: граница установки (battery limit)22) Сетевые технологии: Brokering Layer23) Программирование: Basic Logic24) Сахалин Р: battery limit25) Океанография: Boundary Layer26) Макаров: building line28) Электротехника: bottom layer29) Имена и фамилии: Barbara Lewis, Bill Lawrence, Bill Lumsden30) Общественная организация: Bible League31) Должность: British Literature32) Чат: Big And Lovable33) Федеральное бюро расследований: Bank Larceny34) AMEX. Blair Corporation35) Международная торговля: Basel Land36) Зубная имплантология: уровень кости, уровень костного гребня -
7 Taylor, Ray
1888-1952Actor y empresario teatral antes de la Primera Gue rra Mundial, despues se convierte en ayudante de direccion para Fox, trabajando con John Ford. En los anos 20 pasa a Universal, donde empieza a dirigir primero cortometrajes y despues peliculas de serie B, sobre todo thrillers y seriales diversos. En el sonoro, al que se adapta aceptablemente, trabaja con intensidad. Es, sin duda, uno de los realizadores mas prolificos del genero; mas de 80 westerns avalan su trayectoria, ni mas ni menos destacada que la de otros muchos, aunque no le falta buen pulso narrativo las mas de las veces. Trabaja, inevitablemente, con actores populares, y tambien prolificos, de los anos 30 y, en menor medida, 40. Peliculas de una hora de duracion, aproximadamente, con argumentos poco elaborados, y algun serial, dirigido en solitario a comienzos del sonoro, y ya en colaboracion unos diez anos despues, constituyen la inmensa mayoria de una filmografia inabarcable.The One Way Trail (La senda de la venganza). 1931. 60 minutos. Blanco y Negro. Columbia. Tim McCoy, Doris Hill, Polly Ann Young, Carroll Nye.Battling with Buffalo Bill. 1931. 217 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Lucille Browne, Rex Bell, William Desmond.Heroes of the West. 1932. 210 minutos. 12 capitulos. Blanco y Negro. Universal. Noah Beery, Jr., Julie Bishop, William Desmond, Onslow Stevens.Clancy of the Mounted. 1933. 225 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Jacqueline Wells, William Desmond.Gordon of Ghost City. 1933. 220 minutos. 12 capitulos. Blanco y Negro. Universal. Buck Jones, Madge Bellamy, Walter Miller.The Fighting Trooper. 1934. 61 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Barbara Worth, LeRoy Mason.Outlawed Guns. 1935. 62 minutos. Blanco y Negro. Universal. Buck Jones, Ruth Channing, Roy D’Arcy, Joan Gale.The Roaring West. 1935. 255 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller, Frank McGlynn.The Throwback (El hijo del cuatrero). 1935. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.The Ivory-Handled Gun (Exterminio). 1935. 58 minutos. Blanco y Negro. Universal. Buck Jones, Charlotte Wynters, Walter Miller.Sunset of Power (El ocaso del poder). 1936. 66 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Dix, Charles B. Middleton.Silver Spurs (El desfiladero perdido). 1936. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.The Cowboy and the Kid (El vaquero y el huerfano). 1936. 58 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Revier, Billy Burrud.The Phantom Rider. 1936. 258 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Marla Shelton, Diana Gibson, Harry Woods.The Three Mesquiteers. 1936. 61 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Syd Saylor, Kay Hugues.The Vigilantes Are Coming (co-d.: Mack V. Wright). 1936. 229 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Livingston, Kay Hugues, Guinn Williams, Raymond Hatton.The Painted Stallion (co-d.: Alan James, William Witney). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.Drums of Destiny. 1937. 62 minutos. Blanco y Negro. Crescent. Tom Keene, Edna Lawrence, Robert Fiske.Raw Timber. 1937. 63 minutos. Blanco y Negro. Crescent. Tom Keene, Peggy Keys, Robert Fiske.The Mystery of the Hooded Horsemen (Jinetes enmascarados). 1937. 60 minutos. Blanco y Negro. Grand National. Tex Ritter, Irish Meredith, Horace Murphy.Sudden Bill Dorn. 1937. 60 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Evelyn Brent.Boss of Lonely Valley. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller.Tex Ritter with the Boy Scouts. 1938. 57 minutos. Blanco y Negro. Grand National. Tex Ritter, Marjorie Reynolds, Snub Pollard.Hawaiian Buckaroo (La ultima emboscada). 1938. 62 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evalyn Knapp, Benny Burt, Pat O’Brien.The Painted Stallion (co-d.: Alan James, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.Frontier Town. 1938. 59 minutos. Blanco y Negro. Grand National. Tex Ritter, Ann Evers, Snub Pollard.Rawhide. 1938. 58 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Lou Gehrig, Evalyn Knapp.Flaming Frontiers (co-d.: Alan James). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.Panamint’s Bad Man (Jugandose la vida). 1938. 60 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evelyn Daw, Noah Beery.Riders of Pasco Basin. 1940. 56 minutos. Blanco y Negro. Universal. John ny Mack Brown, Frances Robinson, Bob Baker, Fuzzy Knight.West of Carson City. 1940. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Peggy Moran, Bob Baker, Fuzzy Knight.Bad Man from Red Butte. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Anne Gwynne, Bob Baker, Fuzzy Knight.Winners of the West (co-d.: Ford Beebe). 1940. 247 minutos. 13 capitulos. Blanco y Negro. Universal. Dick Foran, Anne Nagel.Ragtime Cowboy Joe. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Lynn Merrick, Fuzzy Knight.Law and Order. 1940. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Fuzzy Knight.Pony Post. 1940. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Dorothy Short, Fuzzy Knight.Boss of Bullion City. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Maria Montez, Fuzzy Knight.Bury Me Not on the Lone Prairie. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.Law of the Range. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Elaine Morley, Fuzzy Knight.Riders of Death Valley (Los jinetes de la muerte) (co-d.: Ford Beebe). 1941. 283 minutos. 15 capitulos. Blanco y Negro. Universal. Dick Foran, Leo Carrillo, Jeannie Kelly.Rawhide Rangers. 1941. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.Man from Montana. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.Fighting Bill Fargo. 1941. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.Stagecoach Buckaroo. 1942. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Anne Nagel, Fuzzy Knight.Cheyenne Roundup. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.The Lone Star Trail. 1943. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.Boss of Boomtown. 1944. 58 minutos. Blanco y Negro. Universal. Rod Cameron, Tom Tyler, Vivian Austin, Fuzzy Knight.Raiders of Ghost City (co-d.: Lewis D. Collins). 1944. 225 minutos. 13 capitulos. Blanco y negro. Universal. Dennis Moore, Wanda McKay.The Royal Mounted Rides Again (co-d.: Lewis D. Collins). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.The Daltons Ride Again (Casta indomable). 1945. 70 minutos. Blanco y Negro. Universal. Alan Curtis, Kent Taylor, Martha O’Driscoll.The Scarlet Horseman (co-d.: Lewis D. Collins). 1946. 248 minutos. 13 capitulos. Blanco y negro. Universal. Peter Cookson, Janet Shaw.Wild Country. 1947. 55 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Peggy Wynne.Law of the Lash. 1947. 53 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary ScottRange Beyond the Blue. 1947. 53 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Helen Mowery.The Michigan Kid (El chico de Michigan/Ninguno como el). 1947. 69 minutos. Cinecolor. Universal. Jon Hall, Rita Johnson, Victor McLaglen.West to Glory. 1947. 56 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Dolores Castle.Border Feud. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Gloria Marlen.Pioneer Justice. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.Ghost Town Renegades. 1947. 58 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.The Vigilantes Return. 1947. 67 minutos. Cinecolor. Universal. Jon Hall, Margaret Lindsay, Paula Drew.Stage to Mesa City. 1947. 56 min. B y N. PRC. Lash LaRue, Al St. John.Black Hills. 1947. 60 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.Return of the Lash. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Maynard.The Fighting Vigilantes. 1947. 61 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.Shadow Valley. 1947. 59 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.Cheyenne Takes Over. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Nancy Gates.Check Your Guns. 1948. 55 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Nancy Gates.Tornado Range. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.The Westward Trail. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Phyllis Planchard.The Hawk of Powder River. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.The Tioga Kid. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.Range Justice. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Felice Ingersall, Max Terhune.The Return of Wildfire (Tierra de heroes). 1948. 83 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Patricia Morison, Mary Beth Hugues.Dead Man’s Gold. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.Mark of the Lash. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Suzi Crandall.Gunning for Justice. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Evelyn Finley, Max Terhune, Raymond Hatton.Hidden Danger. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Christine Larsen, Max Terhune, Raymond Hatton.Frontier Revenge. 1948. 56 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.Outlaw Country. 1949. 66 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Nancy Saunders.Crashing Thru. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Christine Larsen, Andy Clyde.Shadows of the West. 1949. 59 minutos. Blanco y Negro. Monogram. Whip Wilson, Reno Browne, Andy Clyde.Law of the West. 1949. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Gerry Patterson, Max Terhune.Son of Billy the Kid. 1949. 65 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Marion Colby.Son of a Badman. 1949. 64 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Noel Neill.West of El Dorado. 1949. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Max Terhune. -
8 CULTURE, LITERATURE, AND LANGUAGE
■ Bell, Aubrey F. G. The Oxford Book of Portuguese Verse: XIIth Century-XXth Century. Oxford: Oxford University Press, 1925, 1952 (2nd edition, B. Vi-digal, ed.).■. Portuguese Literature. Oxford: Oxford University Press, 1922, 1970 (2nd edition, B. Vidigal, ed.).■ Bleiberg, German, Maureen Ihrie, and Janet Pérez, eds. Dictionary of the Literature of the Iberian Peninsula, 2 vols. Westport, Conn.: Greenwood, 1993.■ Castro, Francisco Lyon de, ed. História da literatura portuguesa, 7 vols. Lisbon: Alfa, 2001-02.■ Cidade, Hernani. Lições de Cultura e Literatura Portuguesa, 3 vols. Lisbon, 1960-62.■ Cook, Manuela. Portuguese: A Complete Course for Beginners. London: Hodder and Stoughton, 1996. Figueiredo, Fidelino. História literária de Portugal. Coimbra, 1944. Gentile, Georges Le. La Littérature Portugaise. Rev. ed. Paris, 1951. Kunoff, Hugo. Portuguese Literature from Its Origins to 1990: A Bibliography Based on the Collections at Indiana University. 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New York: Columbia Univ. Press, 2002.■ Cunhal, Alvaro. A Revolução Portuguesa. Lisbon, 1975.■ Dias, Eduardo Mayone. Portugal's Secret Jews: The End of an Era. Rumford, R.I.: Peregrinação Publications, 1999.■ Downs, Charles. "Comissões de Moradores and Urban Struggles in Revolutionary Portugal." International Journal of Urban and Regional Research 4 (1986): 267-94.■. Revolution at the Grassroots: Community Organizations in the Portuguese Revolution. Albany: State University of New York Press, 1989.■ Dufour, Jean-Marc. Prague sur Tage. Paris, 1975.■ Durão Barroso, José. Le systémepolitiqueportugais face à l'intégration euro-péenne. Lisbon, 1983.■ Eisfeid, Rainer. "Portugal: What Role/What Future?" In K. Maxwell, ed., Portugal Ten Years after the Revolution. New York: RIIC, Columbia University, 1984.■. Sozialistischer Pluralismus in Europa: Ansãtze und Scheitern am Beispiel Portugal. Cologne: Verlag Wissenchaft ünd Politik, 1985.■. "Portugal and Western Europe." In K. Maxwell, ed., Portugal in the 1980s, 29-62. Westport, Conn.: Greenwood, 1986.■ Farinha, Luis. "Regresso a Europa. Uma opcao feliz." Historia. XXIX; 95, III series (March 2007), 23-33.■ Faye, Jean-Pierre, ed. Portugal: The Revolution in the Labyrinth. Nottingham, U.K.: Spokesman, 1976. Ferreira, Hugo Gil, and Michael W. Marshall. Portugal's Revolution: Ten Years On. Cambridge: Cambridge University Press, 1986. Figueira, João Costa. Cavaco Silva: Homem de Estado. Lisbon, 1987. Filoche, Gérard. Printemps Portugais. Paris: Editions Action, 1984. Frémontier, Jacques. Os Pontos nos ii. Lisbon, 1976. Fundação Calouste Gulbenkian. 25 de Abril-10 anos depois. Lisbon, 1984. Futscher Pereira, Bernardo. "Portugal and Spain." In K. Maxwell, ed. Portugal in the 1980s, 63-87. Westport, Conn.: Greenwood, 1986.■ Gama, Jaime. Política Externa Portuguesa 1983-85: Ministério dos Negôcios Estrangeiros. Lisbon, 1986.■. "Preface." In J. Calvet de Magalhães, A. de Vasconcelos, and J. Ramos Silva, eds., Portugal: An Atlantic Paradox, 9-11. Lisbon, 1990. Gaspar, Jorge, and Nuno Vitorino. As Eleições De 25 De Abril: Geografia E Imagem Dos Partidos. Lisbon, 1976.■. "10 Anos de Democracia: Reflexos na geografia política." In E. de Sousa Ferreira and W. C. Opelio, Jr., eds., Conflict and Change in Portugal 1974-1984/ Conflitos e Mudanças em Portugal, 1974-1984, 135-55. Lisbon, 1985.■, et al. As Eleições para assembleia da república, 1979-1983: Estudos de geografia eleitoral. Lisbon, 1984. Gaspar, Jorge, and Nuno Vitorino, eds. Portugal em mapas e em números. Lisbon, 1981.■ Giaccone, Fausto. Una Storia Portoghese/ Uma História Portuguesa. Palermo: Randazzo Focus, 1987.■ Gladdish, Ken. "Portugal: An Open Verdict." In Geoffrey Pridham, ed. Securing Democracy: Political Parties and Democratic Consolidation in Southern Europe, 104-25. London and New York: Routledge, 1990.■ Graham, Lawrence S. The Decline and Collapse of an Authoritarian Order. Beverly Hills, Calif.: Sage, 1975.■, and Harry M. Makler, eds. Contemporary Portugal: The Revolution and Its Antecedents. Austin: University of Texas Press, 1979.■, and Douglas L. Wheeler, eds. In Search of Modern Portugal: The Revolution and Its Consequences. Madison: University of Wisconsin Press, 1983.■ Grayson, George W. "Portugal and the Armed Forces Movement." Orbis XIX, 2 (Summer 1975): 335-78.■ Green, Gil. Portugal's Revolution. New York: International, 1976.■ Hammond, John L. Building Popular Power: Workers' and Neighborhood Movements in the Portuguese Revolution. New York: Monthly Review Press, 1988.■ Harsgor, Michael. Naissance d'un Nouveau Portugal. Paris: Ed. du Seuil, 1975.■. Portugal in Revolution. Washington, D.C.: CSIS and Sage, 1976.■ Harvey, Robert. Portugal, Birth of a Democracy. London: Macmillan, 1978.■ Herr, Richard, ed. Portugal: The Long Road to Democracy and Europe. Berkeley, Calif.: International and Area Studies, 1992.■ Insight Team of the Sunday [London] Times. Insight on Portugal: The Year of the Captains. London: Deutsch, 1975.■ Janitschek, Hans. Mario Soares: Portrait of a Hero. London: Weidenfeld & Nicolson, 1985.■ Keefe, Eugene K., et al. Area Handbook for Portugal, 1st ed. Washington, D.C.: Foreign Area Studies of American University, 1977. Kramer, Jane. "A Reporter at Large: The Portuguese Revolution." The New Yorker (Dec. 15, 1975): 92-131.■ Lauré, Jason, and Ettagal Lauré. Jovem Portugal: After the Revolution. New York: Straus, Farrar and Giroux, 1977.■ Livermore, H. V. A New History of Portugal. Cambridge: Cambridge University Press, 1976.■ Lourenço, Eduardo. Os Militares e O Poder. Lisbon, 1975.■. O Fascismo Nunca Existiu. Lisbon, 1976.■. "Identidade e Memôria: o caso português." In E. de Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-l 984, 17-22. Lisbon, 1985.■ Lucena, Manuel. Evolução e Instituições: A Extinção dos Grémios da Lavoura Alentejanos. Mem Martins, 1984.■. "A herança de duas revoluções." In M. Baptista Coelho, ed., Portugal: O Sistema Político e Constitucional, 1974-87, 505-55. Lisbon, 1989.■ Macedo, Jorge Braga de, and S. Serfaty. Portugal since the Revolution: Economic and Political Perspectives. New York: Praeger, 1981.■ Magone, José M. European Portugal: The Difficult Road to Sustainable Democracy. New York: St. Martin's, 1997. Mailer, Phil. Portugal: The Impossible Revolution. London: Solidarity, 1977. Manta, João Abel. Cartoons/ 1969-1975. Lisbon, 1975.■ Manuel, Paul C. Uncertain Outcome: The Politics of Portugal's Transition to Democracy. Lanham, Md. and London: University Press of America, 1994.■ Mateus, Rui. Contos Proibidos. Memorias de Um PS Desconhecido, 3rd ed. Lisbon: Dom Quixote, 1996.■ Maxwell, Kenneth. "Portugal under Pressure." The New York Review of Books (May 2, 1974).■. "The Hidden Revolution in Portugal." The New York Review of Books (April 17, 1975).■. "The Thorns of the Portuguese Revolution." Foreign Affairs 54, 2 (Jan. 1976): 250-70.■. "The Communists and the Portuguese Revolution." Dissent 27, 2 (Spring 1980): 194-206.■. Portugal in the 1980s: Dilemmas of Democratic Consolidation. Westport, Conn.: Greenwood, 1986.■. The Making of Portuguese Democracy. Cambridge: Cambridge University Press, 1995.■, ed. "Portugal: Toward the Twenty-First Century." Camoes Center Quarterly 5, 3-4 (Fall 1995): 6-55.■, ed. The Press and the Rebirth of Iberian Democracy. Westport, Conn.: Greenwood, 1983.■. Portugal Ten Years after the Revolution: Reports of Three Columbia University-Gulbenkian Workshops. New York: Research Institute on International Change, Columbia University, 1984.■ Maxwell, Kenneth, and Michael H. Haltzel, eds. Portugal: Ancient Country, Young Democracy. Washington, D.C.: Wilson Center Press, 1990.■ Medeiros Ferreira, José. Ensaio Histórico sobre a revolução do 25 de Abril. Lisbon, 1983.■ Medina, João, ed. Portugal De Abril: Do 25 Aos Nossos Dias. In Medina, ed., História Contemporãnea De Portugal. Lisbon, 1985. Merten, Peter. Anarchismus ünd Arbeiterkãmpf in Portugal. Hamburg: Libertare, 1981.■ Miranda, Jorge. Constituição e Democracia. Lisbon, 1976.■. A Constituição de 1976. Lisbon, 1978.■ Morrison, Rodney J. Portugal: Revolutionary Change in an Open Economy. Boston: Auburn House, 1981.■ Mujal-Leôn, Eusebio. "The PCP [Portuguese Communist Party] and the Portuguese Revolution." Problems of Communism 26 (Jan.- Feb. 1977): 21-41.■ Neves, Mário. Missão em Moscovo. Lisbon, 1986.■ Oliveira, César. M. F. A. e Revolução Socialista. Lisbon, 1975.■. Os Anos Decisivos: Portugal 1962-1985. Um testemunho. Lisbon: Presença, 1993.■ Opello, Waiter C., Jr. Portugal's Political Development: A Comparative Approach. Boulder, Colo.: Westview, 1985.■. Portugal: From Monarchy to Pluralist Democracy. Boulder, Colo.: Westview, 1991.■ Pell, Senator Claiborne H. Portugal ( Including the Azores and Spain) in Search of New Directions: Report to the Committee on Foreign Relations, U.S. Senate. Washington, D.C.: Government Printing Office, 1976.■ Pereira, J. Pacheco. "A Case of Orthodoxy: The Communist Party of Portugal." In Waller and Fenema, eds., Communist Parties in Western Europe: Adaptation or Decline? Oxford: Basil Blackwell, 1988.■ Pilmott, Ben. "Socialism in Portugal: Was It a Revolution?" Government and Opposition 7 (Summer 1977).■. "Were the Soldiers Revolutionary? The Armed Forces Movement in Portugal, 1973-1976." Iberian Studies 7, 1 (1978): 13-21.■, and Jean Seaton. "Political Power and the Portuguese Media." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 43-57. Madison: University of Wisconsin Press, 1983.■ Porch, Douglas. The Portuguese Armed Forces and the Revolution. London: Croom Helm and Stanford, Calif.: Hoover Institution Press, 1977.■ Pouchin, Dominique. Portugal, quelle révolution? Paris, 1976.■ Pulido Valente, Vasco. "E Viva Otelo." In Pulido Valente, V., ed., O País das Maravilhas, 451-54. Lisbon, 1979 [anthology of articles from weekly Lisbon paper, Expresso].■. Estudos Sobre a Crise Nacional. Lisbon, 1980.■ Rebelo de Sousa, Marcelo. O Sistema de Governo Português antes e depois da Revisão Constitucional, 3rd ed. Lisbon, 1981. Rêgo, Raúl. Militares, Clérigos e Paisanos. Lisbon, 1981. Robinson, Richard A. H. Contemporary Portugal: A History. London: Allen & Unwin, 1979.■ Rodrigues, Avelino, Cesário Borga, and Mário Cardoso. O Movemento dos Capitães e o 25 de Abril. Lisbon, 1974.■. Portugal Depois De Abril. Lisbon, 1976.■ Ruas, H. B., ed. A Revolução das Flores. Lisbon, 1975.■ Rudel, Christian. La Liberte couleur d'oeillet. Paris: Fayard, 1980.■ Sa, Tiago Moreira de. Os Americanos na Revolucao Portuguesa ( 1974-1976). Lisbon: Edit. Noticias, 2004.■ Sá Carneiro, Francisco. Por Uma Social-Democracia Portuguesa. Lisbon, 1975.■ Sanches Osôrio, Helena. Um Só Rosto. Uma Só Fé. Conversas Com Adelino Da Palma Carlos. Lisbon, 1988. Sanches Osôrio, J. The Betrayal of the 25th of April in Portugal. Madrid: Sedmay, 1975.■ Schmitter, Philippe C. "Liberation by Golpe: Retrospective Thoughts on the Demise of Authoritarian Rule in Portugal." Armed Forces and Society 2 (1974): 5-33.■. "An Introduction to Southern European Transitions from Authoritarian Rule: Italy, Greece, Portugal, Spain and Turkey." In G. O'Donnell,■ P. C. Schmitter, and L. Whitehead, eds., Transitions from Authoritarian Rule, 3-10. Baltimore, Md.: Johns Hopkins University Press, 1986.■ Silva, Fernando Dioga da. "Uma Administração Envelhecido." Revista da Ad-ministraçao Pública 2 (Oct.-Dec. 1979).■ Simões, Martinho, ed. Relatório Do 25 De Novembro: Texto Integral, 2 vols. Lisbon, 1976.■ Soares, Isabel, ed. Mário Soares: O homem e o político. Lisbon, 1976. Soares, Mário. Democratização e Descolonização: Dez meses no Governo Provisório. Lisbon, 1975. Sobel, Lester A., ed. Portuguese Revolution, 1974-1976. New York: Facts on File, Inc., 1976.■ Spínola, Antônio de. Portugal e o Futuro. Lisbon, 1974.■. País Sem Rumo: Contributo para a História de uma Revolução. Lisbon, 1978.■ Story, Jonathan. "Portugal's Revolution of Carnations: Patterns of Change and Continuity." International Affairs 52 (July 1976): 417-34. Sweezey, Paul. "Class Struggles in Portugal." Monthly Review 27, 4 (Sept. 1975): 1-26.■ Szulc, Tad. "Lisbon and Washington: Behind Portugal's Revolution." Foreign Policy 21 (Winter 1975-76): 3-62. Tavares de Almeida, Antônio. Balsemão: O retrato. Lisbon, 1981. "Vasco." Desenhos Políticos. Lisbon, 1974.■ Vasconcelos, Alvaro. "Portugal in Atlantic-Mediterranean Security." In Douglas T. Stuart, ed., Politics and Security in the Southern Region of the Atlantic Alliance, 117-36. London: Macmillan, 1988.■ Wheeler, Douglas L. "Golpes militares e golpes literários. A literatura do golpe de 25 de Abril de 1974 em contexto histôrico." Penélope. Fazer E Desfazer A História, 19-20 (1998): 191-212.■. "Tributo ao Historiador dos Historiadores. Memorias de A.H.de Oliveira Marques (1933-2007)," Historia XXIX, 95, III series (March 2007), 18-22.■ Wiarda, Howard J. Transcending Corporatism? The Portuguese Corporative System and the Revolution of 1974. Columbia: Institute of International Studies, University of South Carolina, 1976.■. The Transition to Democracy in Spain and Portugal. Washington, D.C.: American Enterprise Institute for Public Policy Research, 1989. Wise, Audrey. Eyewitness in Revolutionary Portugal. With a Preface by Judith Hart, MP. London: Spokesman, 1975.■ PHYSICAL FEATURES: GEOGRAPHY, GEOLOGY, FAUNA, AND FLORA■ Birot, Pierre. Le Portugal: Étude de géographie régionale. Paris, 1950.■ Embleton, Clifford. Geomorphology of Europe. London: Macmillan, 1984.■ Girão, Aristides de Amorim. Divisão regional, divisão agrícola e divisão administrativa. Coimbra, 1932.■. Condições geográficos e históricas de autonomia política de Portugal. Coimbra, 1935.■. Atlas de Portugal, 2nd ed. Coimbra, 1958.■ Ribeiro, Orlando. Portugal, O Mediterrâneo e o Altântico. Coimbra, 1945 and later eds.■. Portugal. Volume V of Geografia de Espana y Portugal. Barcelona, 1955.■. Ensaios de Geografia Humana e regio nal. Lisbon, 1970.■. A geografia e a divisão regional do país. Lisbon, 1970.■ Stanislawski, Dan. The Individuality of Portugal. Austin: The University of Texas Press, 1959.■. Portugal's Other Kingdom: The Algarve. Austin: University of Texas Press, 1963.■ Taylor, Albert William. Wild Flowers of Spain and Portugal. London: Chatto & Windus, 1972.■ Way, Ruth, and Margaret Simmons. A Geography of Spain and Portugal. London: Methuen, 1962.■ ARCHAEOLOGY AND PREHISTORY■ "Actas do Colóquio Inter-Universitário do Noroeste Peninsular (Porto-Baião, 1988), vol. II, Proto-História, romanização e Idade Média." In Trabalhos de antropologia e etnologia. 28, 3-4 (1988).■ Alarcão, Jorge de, ed. "Do Paleolítico va arte visigótica." Vol. 1, História da■ Arte em Portugal. Lisbon: Alfa, 1986.■. Roman Portugal, 3 vols. Warminister, U.K.: Aris & Phillips, 1988.■. Portugal Das Orígens A Romanização. Vol. I. In J. Serrão and A. H. de Oliveira Marques, eds. Nova História de Portugal. Lisbon: Presença, 1990. Anderson, James M., and M. S. Lea. Portugal 1001 Sights: An Archaeological and Historical Guide. Calgary, Alberta: University of Calgary and Robert Hale, 1994.■ Balmuth, Miriam S., Antonio Gilman, and Lourdes Prados-Torreira, eds. Encounters and Transformations: The Archaeology of Iberia in Transition. Monographs in Mediterranean Archaeology, no. 7. Sheffield, U.K.: Sheffield Academic Press, 1997.■ Beirão, C. M. M. Une civilization protohistorique du Sud au Portugal ( 1er Age du Fer). Paris: D. Boccard, 1986.■ Cardoso, João Luís, Santinho A. Cunha, and Delberto Aguiar. O Homem Pre-Histórico no Concelho de Oeiras. Oeiras, Portugal: Estudos Arquelógicos de Oeiras, 1991.■ Harrison, Richard J. The Bell Beaker Cultures of Spain and Portugal. Cambridge, Mass.: Harvard University Press, 1977.■ Mangas, Júlio, ed. Hispania epigraphica. Madrid, 1989.■ Maloney, Stephanie J. "The Villa of Toerre de Palma, Portugal: Archaeology and Preservation." Portuguese Studies Review VIII, 1 (Fall-Winter, 1999-2000): 14-28.■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. London, 1968.■ Silva, A. C. F. A cultura castreja no Noroeste de Portugal. Paços de Ferreira:■ Museu da Citânia de Sanfins, 1986. Straus, L. G. Iberia before the Iberians. Albuquerque, N.M., 1992.■ FOREIGN TRAVELERS AND RESIDENTS' ACCOUNTS■ Andersen, Hans Christian. A Visit to Portugal 1866. London: Peter Owen, 1972.■ Beckford, William. Italy, with Sketches of Spain and Portugal. Paris: Baudry's European Library, 1834.■ Boyd Alexander, ed. London: Hart-Davies, 1954.■. Recollections of an Excursion to the Monasteries of Alcoboca and Batalha. Fontwell, U.K.: Centaur Press, 1972.■ Bell, Aubrey F. G. In Portugal. London: Bodley Head, 1912.■ Borrow, George. The Bible in Spain, 2 vols. London: Constable, 1923 ed.■ Chaves, Castelo Branco. Os livros de viagens em Portugal no século XVIII e a sua projecção europeia. Lisbon, 1977.■ Costigan, Arthur William. Sketches of Society and Manners in Portugal. London: T. Vernon, 1787.■ Crawfurd, Oswald. Portugal Old and New. London: Kegan, Paul, 1880.■. Round the Calendar in Portugal. London: Chapman & Hall, 1890.■ Darymple, William. Travels through Spain and Portugal in 1774. London: J. Almon, 1777.■ Dumouriez, Charles Francois Duperrier. An Account of Portugal as It Appeared in 1766. London: C. Law, 1797.■ Fielding, Henry. Jonathan Wild and the Journal of a Voyage to Lisbon. London: J. M. Dent, 1932.■ Fullerton, Alice. To Portugal for Pleasure. London: Grafton, 1945.■ Gibbons, John. I Gathered No Moss. London: Robert Hale, 1939.■ Gordon, Jan, and Cora Gordon. Portuguese Somersault. London: Harrap, 1934.■ Hewitt, Richard. A Cottage in Portugal. New York: Simon & Schuster, 1996.■ Huggett, Frank. South of Lisbon: Winter Travels in Southern Portugal. London: Gollancz, 1960.■ Hume, Martin. Through Portugal. London: Richards, 1907.■ Hyland, Paul. Backwards Out of the Big World: A Voyage into Portugal. Hammersmith, U.K.: HarperCollins, 1996.■ Jackson, Catherine Charlotte, Lady. Fair Lusitania. London: Bentley, 1874.■ Kelly, Marie Node. This Delicious Land Portugal. London: Hutchinson, 1956.■ Kempner, Mary Jean. Invitation to Portugal. New York: Athenaeum, 1969.■ Kingston, William H. G. Lusitanian Sketches of the Pen and Pencil. 2 vol. London: Parker, 1845.■ Landmann, George. Historical, Military and Picturesque Observations on Portugal. 2 vol. London: Cadell and Davies, 1818.■ Latouche, John [Pseudonym of Oswald Crawfurd]. Travels in Portugal. London: Ward, Lock & Taylor, ca. 1874.■ Link, Henry Frederick. Travels in Portugal and France and Spain. London: Longman & Rees, 1801.■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.■. They Went to Portugal, Too. Manchester: Carcanet Books, 1990.■ Merle, Iris. Portuguese Panorama. London: Ouzel, 1958.■ Murphy, J. C. Travels in Portugal. London: 1795.■ Proper, Datus C. The Last Old Place: A Search through Portugal. New York: Simon & Schuster, 1992.■ Quillinan, Dorothy [Wordsworth]. Journal of a Few Months in Portugal with Glimpses of the South of Spain. 2 vol. London: Moxon, 1847. Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1954. Smith, Karine R. Until Tomorrow: Azores and Portugal. Snohomish, Wash.: Snohomish Publishing, 1978. Southey, Robert. Journals of a Residence in Portugal, 1800-1801 and a Visit to France, 1838. London and New York: Oxford Univ. Press, 1912. Thomas, Gordon Kent. Lord Byron's Iberian Pilgrimage. Provo, Utah: Brigham Young University Press, 1983. Twiss, Richard. Travels through Portugal and Spain in 1772-1773. London, 1775.■ Watson, Gilbert. Sunshine and Sentiment in Portugal. London: Arnold, 1904. Wheeler, Douglas L. "A[n American] Fulbrighter in Lisbon, Portugal, 196162." Portuguese Studies Review 1 (1991): 9-16.■ PORTUGUESE CARTOGRAPHY, DISCOVERIES, AND NAVIGATION■ Albuquerque, Luís de. Curso de História de Naútica. Coimbra, 1972.■. Introdução a história dos descobrimentos, 3rd ed. Mem Martins, 1983.■. Os Descobrimentos Portugueses. Lisbon: Alfa, 1983.■. Portuguese Books on Nautical Science from Pedro Nunes to 1650. Lisbon, 1984.■. Os Descobrimentos Portugueses. Lisbon, 1985.■ Boorstin, Daniel. The Discoverers. New York: Random House, 1983. Boxer, C. R. The Portuguese Seaborne Empire, 1415-1825. London: Hutchinson, 1969.■ Brazão, Eduardo. La découverte de Terre-Neuve. Montreal: Les Presses de l'Université, 1964.■. "Les Corte-Real et le Nouveau Monde." Revue d'histoire d'Amérique Française 19, 1 (1965): 335-49. Cortesão, Armando, and Avelino Teixeira de Mota. Cartografia Portuguesa Antiga. Lisbon, 1960.■. Portugalia Monumenta Cartográfica, 6 vols. Lisbon, 1960-62.■. História da Cartografia Portuguesa, 2 vols. Coimbra, 1969-70.■ Cortesão, Jaime. L'expansion des portugais dans l'historie de la civilisation. Brussels, 1930.■. Os descobrimentos portugueses, 2 vols. V. Magalhães Godinho and Joel Serrão, eds. Lisbon, 1960.■. A expansão dos Portugueses no período henriquinho. Lisbon, 1965.■. Descobrimentos precolombanos dos portugueses. Lisbon, 1966.■ Costa, Abel Fontoura da. A Marinharia dos Descobrimentos, 3rd ed. Lisbon, 1960.■ Costa Brochado, Idalino F. Descobrimento do Atlântico. Lisbon, 1958. English ed., 1959-60.■ Coutinho, Admiral Gago. A naútica dos descobrimentos, 2 vols. Lisbon, 1951-52.■ Crone, G. R. Maps and Their Makers. New York: Capricorn Books, 1966.■ Dias, José S. da Silva. Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.■ Disney, Anthony, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.■ Godinho, Vitorino Magalhães, ed. Documentos sobre a expansão portuguesa [ to 1460], 3 vols. Lisbon, 1945-54.■ Guedes, Max, and Gerald Lombardi, eds. Portugal. Brazil: The Age of Atlantic Discoveries. Lisbon: Bertrand; Milan: Ricci; Brazilian Culture Foundation, 1990. [Catalogue of New York Public Library Exhibit, Summer 1990]■ Harley, J. B., and David Woodward. The History of Cartography. Volume 1: Cartography in Prehistoric, Ancient and Medieval Europe and Mediterranean. Chicago: University of Chicago Press, 1987.■ Leite, Duarte. História dos Descobrimentos: Colectânea de esparsos, 2 vols. Lisbon, 1958-61.■ Ley, Charles. Portuguese Voyages, 1498-1663. London: Dent, 1953.■ Marques, J. Martins da Silva. Descobrimentos portugueses, 2 vols. Lisbon, 1944-71.■ Martyn, John R. 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Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.■ Mendes Pinto, Fernão. 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Bishko, Charles Julian. Spanish and Portuguese Monastic History 600-1300. London, Variorum Reprints, 1984.■ Blanshard, Paul. Freedom and Catholic Power in Spain and Portugal. Boston: Beacon Press, 1962.■ Boxer, C. R. The Church Militant and Iberian Expansion 1440-1770. Baltimore, Md.: Johns Hopkins University Press, 1978. Bruneau, Thomas C. "Church and State in Portugal: Crises of Cross and Sword." Journal of Church and State XVIII (1976): 463-90. Freire, José Geraldes. Resistência Católico ao Salazarismo-Marcelismo. Oporto, 1976.■ Herculano, Alexandre. History of the Origin and Establishment of the Inquisition in Portugal. John C. Banner, trans. Stanford, Calif.: Stanford University Press, 1962.■ IPOPE. Estudo sobre liberdade e religião em Portugal. Lisbon, 1973. Johnston, Francis. Fátima: The Great Sign. Chulmleigh, U.K.: Augustine Publications, 1980.■ Kondor, Fr. Louis. Fátima in Lucia's Own Words: Sister Lucia's Memoirs. Fatima: Postulation Center, 1976. Lourenço, Joaquim Maria. Situação jurídica da Igreja em Portugal. Coimbra, 1943.■ Mattoso, José. Religião e Cultura na Idade Média Portuguesa. Lisbon, 1982. Miller, Samuel J. Portugal and Rome c. 1748-1830: An Aspect of Catholic Enlightenment. Rome: Universita Gregoriana Editrice, 1978. O'Malley, John W. The First Jesuits. Cambridge, Mass.: Harvard University Press, 1993.■ Pattee, Richard. Portugal and the Portuguese World. Milwaukee, Wisc.: Bruce, 1957.■ Prestage, Edgar. Portugal: A Pioneer of Christianity. Lisbon, 1945.■ Richard, Robert. Etudes sur l'histoire morale et religieuse de Portugal. Paris: Centro Cultural de Gulbenkian, 1970.■ Robinson, Richard A. H. "The Religious Question and Catholic Revival in Portugal, 1900-1930." Journal of Contemporary History XII (1977): 345-62.■. Contemporary Portugal: A History. London: Allen & Unwin, 1979.■ Rodrigues, R. P. Francisco. História da Companhia de Jesus na Assistência de Portugal, 7 vols. Lisbon, 1931-50.■ Roth, Cecil. A History of the Marranos. Philadelphia: Jewish Publication Society of America, 1932.■ Agriculture, Viticulture, and Fishing■ Abreu-Ferreira, Darlene. "The Portuguese in Newfoundland: Documentary Evidence Examined." Portuguese Studies Review 4, 1 (1995-96): 11-33.■ Allen, H. Warner. The Wines of Portugal. London: Michael Joseph, 1963.■ Barros, Afonso de. A reforma agrária em Portugal. Oeiras, 1979.■ Beamish, Huldine V. The Hills of Alentejo. London: Geoffrey Bles, 1958.■ Bennett, Norman R. "The Golden Age of the Port Wine System, 1781-1807." The International History Review XII (1990): 221-18.■ Black, Richard. "The Myth of Subsistence: Market Production in the Small Farm Sector of Northern Portugal." Iberian Studies 1, 8 (1989): 25-41.■ Bravo, Pedro, and Duarte de Oliveira. Viticulture Moderna. Lisbon, 1974.■. Vinhas e Vinhos De Portugal. Lisbon, 1979.■ Cabral, Manuel V. "Agrarian Structures and Recent Movements in Portugal." Journal of Peasant Studies 4, 5 (July 1978): 411-45.■ Cardoso, José Carvalho. A Agricultura Portuguesa. Lisbon, 1973.■ Carvalho, Bento de. Guía Dos Vinhos Portugueses. Lisbon, 1982.■ Clarke, Robert. Open Boat Whaling in the Azores: The History and Present Methods of a Relic Industry. Cambridge: Cambridge University Press, 1954.■ Cockburn, Ernest. Port Wine and Oporto. London: Wine & Spirit, 1949. Cole, S. C. "Cod, Cod Country and Family: The Portuguese Newfoundland Fishery." Mast 3, 1 (1990): 1-29.■ Coull, James. The Fisheries of Europe. London: G. Bell & Sons, 1972.■ Croft-Cooke, Rupert. Port. London: Putnam, 1957.■. Madeira. London: Putnam, 1961.■ Delaforce, John. The Factory House at Oporto. London: Christie's Wine Publications, 1979 and later eds.■ Doel, Patricia A. Port O'Call: Memories of the Portuguese White Fleet in St. John's Newfoundland. St. John's, Newfoundland: ISER, 1992.■ Fletcher, Wyndham. Port: An Introduction to Its History and Delights. London: Bernet, 1978.■ Francis, A. D. The Wine Trade. London: Adam and Charles Black, 1972.■ Freitas, Eduardo, João Ferreira de Almeida, and Manuel Villaverde Cabral. Modalidades de penetração do capitalismo na agricultura: estruturas agrárias em Portugal Continental, 1950-1970. Lisbon, 1976.■ Gonçalves, Francisco Esteves. Portugal: A Wine Country. Lisbon, 1984.■ Gulbenkian Foundation. Agrarian Reform. Lisbon, 1981.■ Kurlansky, Mark. Cod: A Biography of the Fish That Changed the World. New York: Walker, 1997.■ Malefakis, Edward. "Two Iberian Land Reforms Compared: Spain, 1931-1936 and Portugal, 1974—1978." In Gulbenkian Foundation, Agrarian Reform. Lisbon, 1981.■ Moutinho, M. História da pesca do bacalhau. Lisbon: Imprensa Universitária, 1985.■ Oliveira Marques, A. H. de. lntrodução a história da agricultura em Portugal.■ Lisbon, 1968. Pato, Octávio. O Vinho. Lisbon, 1971.■ Pearson, Scott R. Portuguese Agriculture in Transition. Ithaca, N.Y.: Cornell University Press, 1987.■ Postgate, Raymond. Portuguese Wine. London: Dent, 1969.■ Read, Jan. The Wines of Portugal. London: Faber & Faber, 1982.■ Robertson, George. Port. London: Faber & Faber, 1982 ed.■ Rutledge, Ian. "Land Reform and the Portuguese Revolution." Journal of Peasant Studies 5, 1 (Oct. 1977): 79-97.■ Sanceau, Elaine. The British Factory at Oporto. Oporto, 1970.■ Simon, Andre L. Port. London: Constable, 1934.■ Simões, J. Os grandes trabalhadores do Mar: Reportagens na Terra Nova e na Groenlândia. Lisbon: Gazeta dos Caminho de Ferro, 1942.■ Smith, Diana. Portugal and the Challenge of 1992: Special Report. New York: Camões Center/RIIC, Columbia University, 1990.■ Stanislawski, Dan. Landscapes of Bacchus: The Vine in Portugal. Austin: University of Texas Press, 1970.■ Teixeira, Carlos, and Victor M. Pereira da Rosa, eds. The Portuguese in Canada: From the Seat to the City. Toronto: University of Toronto Press, 2000.■ Unwin, Tim. "Farmers' Perceptions of Agrarian Change in Northwest Portugal." Journal of Rural Studies 1, 4 (1985): 339-57.■ Valadão do Valle, E. Bacalhau: tradições históricas e económicos. Lisbon, 1991.■ Venables, Bernard. Baleia! The Whalers of Azores. London: Bodley Head, 1968.■ Villiers, Alan. The Quest of the Schooner Argus: A Voyage to the Banks and Greenland. New York: Scribners, 1951. World Bank. Portugal: Agricultural Survey. Washington, D.C.: World Bank, 1978.■ ECONOMY, INDUSTRY, AND DEVELOPMENT■ Aiyer, Srivain, and Shahid A. Chandry. Portugal and the E.E.C.: Employment and Implications. Lisbon, 1979.■ Baklanoff, Eric N. The Economic Transformation of Spain and Portugal. New York: Praeger, 1978.■. "Changing Systems: The Portuguese Revolution and the Public Enterprise Sector." ACES ( Association of Comparative Economic Studies) Bulletin 26 (Summer-Fall 1984): 63-76.■. "Portugal's Political Economy: Old and New." In K. Maxwell and M. Haltzel, eds., Portugal: Ancient Country, Young Democracy, 37-59. Washington, D.C.: Wilson Center Press, 1990.■ Barbosa, Manuel P. Growth, Migration and the Balance of Payments in a Small, Open Economy. New York: Garland, 1984.■ Braga de Macedo, Jorge, and Simon Serfaty, eds. Portugal since the Revolution: Economic and Political Perspectives. Boulder, Colo.: Westview, 1981.■ Carvalho, Camilo, et al. Sabotagem Econômica: " Dossier" Banco Espírito Santo e Comercial de Lisboa. Lisbon, 1975.■ Corkill, David. The Development of the Portuguese Economy: A Case of Euro-peanization. London: Routledge, 1999.■ Cravinho, João. "The Portuguese Economy: Constraints and Opportunities." In K. Maxwell, ed., Portugal in the 1980s, 111-65. Westport, Conn.: Greenwood, 1986.■ Dornsbusch, Rudiger, Richard S. Eckhaus, and Lane Taylor. "Analysis and Projection of Macroeconomic Conditions in Portugal." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 299-330. Austin: University of Texas Press, 1979.■ The Economist (London). "On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.■. "Coming Home: A Survey of Portugal." (May 28, 1988).■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.■. As Finanças Públicas Portuguesas Entre As Duas Guerras Mundiais. Lisbon: Cosmos, 1994.■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.■ PHOTOGRAPHY ON PORTUGAL■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.■. Os melhores postais antigos de Lisboa ( The best old postcards of Lisbon). Lisbon: Químera, 1995.■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.■ EQUESTRIANISM■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.■ Horsetalk Magazine. Published in New Zealand.■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.■ Websites of interest: www.equestrian.pt portugalweb.comHistorical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE
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9 Howard, David
1896-1941La verdadera carrera profesional de David Howard empieza con El valle de las sorpresas, primera de sus colaboraciones con el actor George O’Brien, de cuya filmografia se responsabilizara casi en su totalidad, en la Fox y luego en RKO. Llega a la direccion desde el escalon inferior de ayudante de direccion. Dirige, sobre todo, westerns, sin desviarse de los criterios imperantes en el genero en los anos treinta: peliculas de una hora de duracion, aproximadamente, interpretadas por alguna de las estrellas del western de serie B. En este caso, el privilegiado, como se ha dicho, es George O’Brien.El ultimo de los Vargas. 1930. 61 minutos. Blanco y negro. Fox. George J. Lewis, Luana Alcaniz.La gran jornada. Version en espanol de The Big Trail, pelicula dirigida por Raoul Walsh. Interpretada por George J. Lewis y Carmen Guerrero.The Rainbow Trail (El valle de las sorpresas). 1932. 60 minutos. Blanco y Negro. Fox. George O’Brien, Cecilia Parker.Mystery Ranch (La hacienda misteriosa). 1932. 56 minutos. Blanco y Negro. Fox. George O’Brien, Cecilia Parker.The Golden West (El dorado Oeste). 1932. 74 minutos. Blanco y Negro. Fox. George O’Brien, Janet Chandler.Robbers’ Roost (La cueva de los bandidos) (co-d.: Louis King). 1933. 64 minutos. Blanco y Negro. Fox. George O’Brien, Maureen O’Sullivan.Smoke Lightning (Justa retribucion). 1933. 63 minutos. Blanco y Negro. Fox. George O’Brien, Nell O’Day.In Old Santa Fe (En un rancho de Santa Fe). 1934. 64 minutos. Blanco y Negro. Mascot. Ken Maynard, Evalyn Knapp, George Hayes, Gene Autry, Smiley Burnette.Whispering Smith Speaks. 1935. 65 minutos. Blanco y Negro. Fox. George O’Brien, Irene Ware.Thunder Mountain (El monte atronador). 1935. 1968 minutos. Blanco y Negro. Fox. George O’Brien, Barbara Fritchie.O’Malley of the Mounted. 1936. 59 minutos. Blanco y Negro. Fox. George O’Brien, Irene Ware.The Mine with the Iron Door. 1936. 66 minutos. Blanco y Negro. Columbia. Richard Arlen, Cecilia Parker.The Border Patrolman. 1936. 60 minutos. Blanco y Negro. Fox. George O’Brien, Polly Ann Young.Daniel Boone. 1936. 77 minutos. Blanco y Negro. RKO. George O’Brien, Heather Angel.Park Avenue Logger. 1937. 67 minutos. Blanco y Negro. RKO. George O’Brien, Beatrice Roberts, Ward Bond.Gun Law. 1938. 60 minutos. Blanco y Negro. RKO. George O’Brien, Rita Oehmen.Border G-Man. 1938. 60 minutos. Blanco y Negro. RKO. George O’Brien, Laraine Day.The Painted Desert. 1938. 59 minutos. Blanco y Negro. RKO. George O’Brien, Laraine Day, Fred Kohler.The Renegade Ranger. 1938. 60 minutos. Blanco y Negro. RKO. George O’Brien, Rita Hayworth, Tim Holt.Lawless Valley. 1938. 59 minutos. Blanco y Negro. RKO. George O’Brien, Kay Sutton, Fred Kohler.Arizona Legion. 1939. 58 minutos. Blanco y Negro. RKO. George O’Brien, Laraine Day.Trouble in Sundown. 1939. 60 minutos. Blanco y Negro. RKO. George O’Brien, Cy Kendall, Rosalind Keith, Ward Bond.Timber Stampede. 1939. 59 minutos. Blanco y Negro. RKO. George O’Brien, Marjorie Reynolds, Chill Wills.The Marshal of Mesa City. 1939. 63 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.The Fighting Gringo. 1939. 59 minutos. Blanco y Negro. RKO. George O’Brien, Lupita Tovar.Legion of the Lawless. 1940. 59 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.Bullet Code. 1940. 58 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.Prairie Law. 1940. 59 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.Triple Justice. 1940. 66 minutos. Blanco y Negro. RKO. George O’Brien, Virginia Vale.Six-Gun Gold. 1941. 57 minutos. Blanco y Negro. RKO. Tim Holt, Ray Whitley, Jan Clayton, Lee “Lasses” White.Dude Cowboy. 1941. 59 minutos. Blanco y Negro. RKO. Tim Holt, Marjorie Reynolds, Ray Whitley, Lee “Lasses” White. -
10 Sherman, George
1908-1991Nacido en Nueva York. Ayudante de direccion desde 1932 y director de mas de cien peliculas desde 1937, primero para Republic hasta 1944, mas tarde para Columbia hasta 1948, y despues hasta 1956 para Universal. A medida que pasaba de una productora a otra los presupuestos de sus peliculas iban siendo mas holgados, por lo que no es de extranar que su ultimo western, que es tambien su ultima pelicula, El gran Jack, sea la de presupuesto mas amplio y, dicho sea de paso, la mejor. Sherman es, sin lugar a dudas, uno de los grandes especialistas del western. Una ojeada a su filmografia hace innecesarias otras explicaciones; entre 1937 y 1943 trabaja a un ritmo frenetico para satisfacer las necesidades de algunas de las estrellas del genero, destacando, en particular, su dedicacion a la serie The Three Mes quiteers. A partir de 1946 realiza sus obras mas personales, que, sin pasar de discretas, cumplen sobradamente su cometido.Wild Horse Rodeo. 1937. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, June Martel.The Purple Vigilantes. 1938. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Joan Barclay.Outlaws of Sonora. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Jean Joyce.Riders of the Black Hills. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Ann Evers.Heroes of the Hills. 1938. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Priscilla Lawson.Pals of the Saddle. 1938. 55 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Doreen McKay.Overland Stage Raiders. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Louise Brooks.Rhythm of the Saddle. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Peggy Moran.Santa Fe Stampede. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, June Martel.Red River Range. 1938. 56 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Polly Moran, Lorna Gray.Mexicali Rose. 1939. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Luana Walters.The Night Riders. 1939. 58 minutos. Blanco y Negro. Republic. John Way ne, Ray Corrigan, Max Terhune, Doreen McKay, Ruth Rogers.Three Texas Steers. 1939. 59 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Carole Landis.Wyoming Outlaw. 1939. 62 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Adele Pearce.Colorado Sunset. 1939. 61 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.New Frontier. 1939. 57 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Phyllis Isley (Jennifer Jones).The Kansas Terrors. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Jacqueline Wells (Julie Bishop).Rovin’ Tumbleweeds. 1939. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Carlisle.The Cowboys from Texas. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Carole Landis.South of the Border. 1939. 71 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey, Lupita Tovar.Ghost Valley Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Lona Andre, LeRoy Mason.Covered Wagon Days. 1940. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Kay Griffith, Ruth Robinson.Rocky Mountain Rangers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Rosella Towne.One Man’s Law. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Janet Waldo, Dub Taylor.The Tulsa Kid. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Luana Walters, Jimmy Wakely.Under Texas Skies. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Lois Ranson.Frontier Vengeance (co-d.: Nate Watt). 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Betty Moran.The Trail Blazers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Pauline Moore.Texas Terrors. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Al St. John.Lone Star Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, June Johnson, Sarah Padden.Wyoming Wildcat. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Syd Taylor.The Phantom Cowboy. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Virginia Carroll, Rex Lease.Two Gun Sheriff. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Desert Bandit. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Kansas Cyclone. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.The Apache Kid. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Death Valley Outlaws. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.A Missouri Outlaw. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Arizona Terror. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Stagecoach Express. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Jesse James, Jr. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St. John.Cyclone Kid. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.The Sombrero Kid. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.The West Side Kid. 1943. 58 minutos. Blanco y Negro. Republic. Don Ba rry, Dale Evans, Henry Hull.Renegades (Renegados). 1946. 88 minutos. Technicolor. Columbia. Eve lyn Keyes, Willard Parker, Larry Parks.Last of the Redmen. 1947. 77 minutos. Cinecolor. Key Pictures (Columbia). Jon Hall, Julie Bishop, Evelyn Ankers, Michael O’Shea.Relentless. 1948. 93 minutos. Technicolor. Cavalier Productions (Colum bia). Robert Young, Marguerite Chapman, Willard Parker, Akim Tamiroff.Black Bart (El enmascarado). 1948. 80 minutos. Technicolor. Universal. Yvonne De Carlo, Dan Duryea, Jeffrey Lynn.River Lady (Rio abajo). 1948. 78 minutos. Universal. Yvonne De Carlo, Dan Duryea, Rod Cameron, Helena Carter.Red Canyon (Huracan). 1949. 82 minutos. Technicolor. Universal. Ann Blyth, Howard Duff, George Brent.Calamity Jane and Sam Bass. 1949. 85 minutos. Technicolor. Universal. Yvonne De Carlo, Howard Duff, Dorothy Hart, Willard Parker.Comanche Territory (Orgullo de comanche). 1950. 76 minutos. Techni color. Universal. Maureen O’Hara, MacDonald Carey, Will Geer.Tomahawk (El piel roja). 1951. 82 minutos. Technicolor. Universal. Yvo n ne De Carlo, Van Heflin, Preston Foster, Rock Hudson.The Battle at Apache Pass. 1951. 85 minutos. Technicolor. Universal. John Lund, Jeff Chandler, Beverly Tyler, Susan Cabot.The Lone Hand. 1953. 80 minutos. Technicolor. Universal. Joel McCrea, Barbara Hale, Alex Nicol.War Arrow (Asalto al Fuerte Clark). 1954. 78 minutos. Technicolor. Uni versal. Jeff Chandler, Maureen O’Hara, John McIntire, Suzan Ball.Border River. 1954. 81 minutos. Technicolor. Universal. Joel McCrea, Yvon ne De Carlo, Pedro Armendariz.Dawn at Socorro. 1954. 80 minutos. Technicolor. Universal. Rory Calhoun, Piper Laurie, David Brian, Kathleen Hugues.Chief Crazy Horse (El gran jefe). 1955. 86 minutos. Technicolor. Cinema - Scope. Universal. Victor Mature, Suzan Ball, John Lund, Ray Danton.Count Three and Pray. 1955. 102 minutos. Technicolor. CinemaScope. Co pa Productions (Columbia). Van Heflin, Joanne Woodward, Phil Carey.The Treasure of Pancho Villa (El tesoro de Pancho Villa). 1955. 96 min. Technicolor. Superscope. RKO. Rory Calhoun, S. Winters, Gilbert Roland.Comanche (Duelo de razas). 1956. 87 minutos. Color DeLuxe. Cinema Sco pe. UA. Dana Andrews, Kent Smith, John Litel, Linda Cristal.Reprisal! 1956. 74 minutos. Technicolor. Lewis J. Rachmil (Columbia). Guy Madison, Felicia Farr, Kathryn Grant.The Hard Man. 1957. 80 minutos. Technicolor. Romson (Columbia). Guy Madison, Valerie French, Lorne Greene.The Last of the Fast Guns. 1958. 82 minutos. Eastmancolor. CinemaScope. Universal. Jock Mahoney, Eduard Franz, Gilbert Roland, Linda Cristal.Ten Days to Tulara. 1958. 77 minutos. Blanco y Negro. UA. Sterling Hay den, Grace Raynor.Hell Bent for Leather. 1960. 82 minutos. Eastmancolor. Panavision. Uni versal. Audie Murphy, Stephen McNally, Felicia Farr.For the Love of Mike. 1960. 87 minutos. Color DeLuxe. CinemaScope. Fox. Richard Basehart, Stuart Edwin, Elsa Cardenas.Joaquin Murrieta. 1965. 108 minutos. Eastmancolor. Pro-Artis Iberica. Jeffrey Hunter, Arthur Kennedy, Sara Lezana, Diana Lorys.Smoky. 1966. 103 minutos. Color DeLuxe. Fox. Fess Parker, Katy Jurado, Diana Hyland.Big Jake (El gran Jack). 1971. 110 minutos. Technicolor. Panavision. Natio nal General. John Wayne, Richard Boone, Maureen O’Hara.English-Spanish dictionary of western films > Sherman, George
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Barbara Lewis — (born 1943) American pop and soul singer … English contemporary dictionary
Lewis (surname) — Family name name = Lewis imagesize= caption= pronunciation = Lewis meaning = region = origin = related names = Lewes, Louis footnotes = [ [http://www.census.gov/genealogy/names/names files.html 1990 Census Name Files ] ] Lewis is a surname. It… … Wikipedia
Barbara Hepworth — Hepworth s Family of Man in bronze, 1970, at the Yorkshire Sculpture Park, U.K. Birth name Jocelyn Barbara Hepworth Born … Wikipedia
Barbara Chase-Riboud — (born June 26, 1939) is an American novelist, poet, sculptor and visual artist best known for her historical fiction. Much of her work has explored themes related to slavery and exploitation.Chase Riboud attained international recognition with… … Wikipedia
Barbara Hepworth — Saltar a navegación, búsqueda Barbara Hepworth Obra de Hepworth, titulada: Sphere with Inner Form en el Museo Kroller Muller Nombre real Jocelyn Barbara Hepworth … Wikipedia Español
Barbara Weeks — Saltar a navegación, búsqueda Barbara Weeks Nacimiento 4 de julio de 1913 Somerville, Massachusetts, Estados Unidos de América Defunción … Wikipedia Español
Lewis Thorpe — was a British philologist, translator, and husband of the Italian scholar and lexicographer Barbara Reynolds. He died on 10 October 1977.After service in Italy in the Second World War Lewis Thorpe joined the staff of the University of Nottingham… … Wikipedia
Barbara Emile — is a British television producer. Emile contributed to the BBC soap opera EastEnders for several years. [ [http://www.wgazette.com/aut04 berridge.html Berridge Steps Down As EastEnders Executive Producer] , Walford Gazette. URL last accessed on… … Wikipedia
Barbara Stanwyck — dans L Étrangleur (1943) Données clés Nom de naissance … Wikipédia en Français
Lewis B. Gunckel — (October 15, 1826 – October 3, 1903) was an attorney, politician, advocate for Civil War disabled soldiers and their families, commissioner and a member of the United States House of Representatives from Ohio. Heritage and early life Lewis… … Wikipedia
